Is it any wonder? (CD)
A six-track EP of unreleased and rare tracks, available here on CD.
Release date: 20th March 2020
ï»żTracklist:
BABY UNIVERSAL â97
âBaby Universalâ was initially recorded by Tin Machine for Tin Machine II and was regularly performed on Bowieâs Outside Summer Festivals Tour in 1996. The version now being released as âBABY UNIVERSAL â97â was originally re-recorded for the Earthling album however it was ultimately removed from the final album master, but David was very fond of this version and before the track was dropped was quoted as saying, âI thought âBaby Universalâ was a really good song and I donât think it got heard. I didnât really want that to happen to it, so I put it on this album⊠I think this version is very good.â
FUN (CLOWNBOY MIX)
âFun (Clownboy Mix)â started out life as a modern revamp of the Bowie classic âFameâ to be performed under the name âIs It Any Wonder?â during Davidâs âclub setâ on the Earthling tour.
The basic backing and sequencer tracks were worked at the Factory in Dublin docklands during the pre-tour rehearsals in early 1997. A live version of âFameâ (âIs It Any Wonder?â) was recorded at the Amsterdam Paradiso on 10th June, 1997, was further worked on by Mark Plati and Reeves Gabrels at Looking Glass Studios in New York and mixed at Sony Music Studios in New York in February 1998. Referenced in interviews by Reeves as âFunhouseâ, the song further developed lyrically and musically and, by the time Danny Saber created the Clownboy mix in May 1998, it was a completely new piece of work written by David and Reeves and featuring no elements of âFameâ. The Clownboy mix has previously only appeared on a BowieNet subscriber exclusive CD-ROM in 1998 and on Virgin Records in-house CDRâs along with four other Clownboy mix variants.
STAY â97
âStayâ originally appeared on the âStation To Stationâ album in 1976 and was released as a single in the US in August of that year. The previously unreleased 1997 re-recording of âSTAY' began at The Factory in the Dublin Docklands during the pre-Earthling tour rehearsals while David, Mark Plati and Reeves Gabrels were preparing the backing/sequencer tracks before the rest of the band arrived, and the rehearsals started in earnest. David wanted to âupdate' some of his live show staples so they would sit well sonically with the Outside/Earthling material. The recording was completed later, potentially for use as a âB-sideâ, and mixed at Right Track Recording Studios, New York in May/June 1997.
I CANâT READ â97
âI Canât Readâ originally appeared on Tin Machineâs eponymous debut album in 1989, and was a staple in the bandâs live set. In the autumn of 1996, during the mixing stages for Earthling, David re-recorded the track â which, at one stage, appeared on a mastered version of the album. âI CANâT READ â97â, was Davidâs preferred solo version, it was ultimately cut from Earthling and replaced at the last minute with âThe Last Thing You Should Doâ.
NUTS
The unreleased semi instrumental âNUTSâ was jointly written by David, Reeves Gabrels and Mark Plati. It was recorded during the final Earthling sessions in November 1996, the same session during which âThe Last Thing You Should Doâ was written and recorded. Both songs were being recorded as bonus tracks but then, at the last minute David swapped out âI Canât Readâ with âThe Last Thing You Should Doâ. However, âNUTS' has remained unreleased until now.
âTHE MAN WHO SOLD THE WORLDâ (LIVE ENO MIX)
A live recording was taken by Bowie collaborator Brian Eno into Westside Studios in London on 30th October, 1995, and reshaped with some overdubs and mixing. Eno wrote about the mix in his diaries saying: âI added some backing vocals and a sonar blip and sculpted the piece a little so that there was more contour to itâ. It was previously released as a double A-side on a green vinyl 7â single and as part of a CD single in various territories with the Outside version of âStrangers When We Meetâ in 1995, this version is based on the fairly radical trip-hop reworking of the song as performed on the Outside World Tour.
Original: $13.57
-65%$13.57
$4.75

Description
A six-track EP of unreleased and rare tracks, available here on CD.
Release date: 20th March 2020
ï»żTracklist:
BABY UNIVERSAL â97
âBaby Universalâ was initially recorded by Tin Machine for Tin Machine II and was regularly performed on Bowieâs Outside Summer Festivals Tour in 1996. The version now being released as âBABY UNIVERSAL â97â was originally re-recorded for the Earthling album however it was ultimately removed from the final album master, but David was very fond of this version and before the track was dropped was quoted as saying, âI thought âBaby Universalâ was a really good song and I donât think it got heard. I didnât really want that to happen to it, so I put it on this album⊠I think this version is very good.â
FUN (CLOWNBOY MIX)
âFun (Clownboy Mix)â started out life as a modern revamp of the Bowie classic âFameâ to be performed under the name âIs It Any Wonder?â during Davidâs âclub setâ on the Earthling tour.
The basic backing and sequencer tracks were worked at the Factory in Dublin docklands during the pre-tour rehearsals in early 1997. A live version of âFameâ (âIs It Any Wonder?â) was recorded at the Amsterdam Paradiso on 10th June, 1997, was further worked on by Mark Plati and Reeves Gabrels at Looking Glass Studios in New York and mixed at Sony Music Studios in New York in February 1998. Referenced in interviews by Reeves as âFunhouseâ, the song further developed lyrically and musically and, by the time Danny Saber created the Clownboy mix in May 1998, it was a completely new piece of work written by David and Reeves and featuring no elements of âFameâ. The Clownboy mix has previously only appeared on a BowieNet subscriber exclusive CD-ROM in 1998 and on Virgin Records in-house CDRâs along with four other Clownboy mix variants.
STAY â97
âStayâ originally appeared on the âStation To Stationâ album in 1976 and was released as a single in the US in August of that year. The previously unreleased 1997 re-recording of âSTAY' began at The Factory in the Dublin Docklands during the pre-Earthling tour rehearsals while David, Mark Plati and Reeves Gabrels were preparing the backing/sequencer tracks before the rest of the band arrived, and the rehearsals started in earnest. David wanted to âupdate' some of his live show staples so they would sit well sonically with the Outside/Earthling material. The recording was completed later, potentially for use as a âB-sideâ, and mixed at Right Track Recording Studios, New York in May/June 1997.
I CANâT READ â97
âI Canât Readâ originally appeared on Tin Machineâs eponymous debut album in 1989, and was a staple in the bandâs live set. In the autumn of 1996, during the mixing stages for Earthling, David re-recorded the track â which, at one stage, appeared on a mastered version of the album. âI CANâT READ â97â, was Davidâs preferred solo version, it was ultimately cut from Earthling and replaced at the last minute with âThe Last Thing You Should Doâ.
NUTS
The unreleased semi instrumental âNUTSâ was jointly written by David, Reeves Gabrels and Mark Plati. It was recorded during the final Earthling sessions in November 1996, the same session during which âThe Last Thing You Should Doâ was written and recorded. Both songs were being recorded as bonus tracks but then, at the last minute David swapped out âI Canât Readâ with âThe Last Thing You Should Doâ. However, âNUTS' has remained unreleased until now.
âTHE MAN WHO SOLD THE WORLDâ (LIVE ENO MIX)
A live recording was taken by Bowie collaborator Brian Eno into Westside Studios in London on 30th October, 1995, and reshaped with some overdubs and mixing. Eno wrote about the mix in his diaries saying: âI added some backing vocals and a sonar blip and sculpted the piece a little so that there was more contour to itâ. It was previously released as a double A-side on a green vinyl 7â single and as part of a CD single in various territories with the Outside version of âStrangers When We Meetâ in 1995, this version is based on the fairly radical trip-hop reworking of the song as performed on the Outside World Tour.











